Sharara - Minerva was a Witch (2019), je 93 x 20,7 cm, wood block print & silk screen on Japanese papervirturality (2017), 110 x 110 cm, Digital print on Japanese paperSpirit of the Arts (2017), Schnaps & wood block print, edition: 50 bottles, all one of a kindPlay the ball where the monkey drops it (2017), 29,7 x 42 cm, Digital print on Awagami washiPlay the ball where the monkey drops it (2017), 29,7 x 42 cm, Digital print Awagami washiPlay the ball where the monkey drops it (2017), 42 x 29,7 cm, Digital print on Awagami washivirturality (2017), 110 x 110 cm,Play the ball where the monkey drops it (2017), 42 x 29,7 cm, Digital print on Awagami washii is u (2017), ca. 15 x 15 cm, Polymert print on Hahnemühle paperAS full color (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paperAS full color (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paperAS blue (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paperAS blue (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paperAS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paperAS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paperAS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paperAS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paperZureta full color (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paperAS blue (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paperAS blue (2017), ca. 7 x 10 cm, Polymer print on Hahnemühle paperAS blue (2017), ca. 15 x 10 cm, Polymer print on Hahnemühle paperAS full color (2017), ca. 10 x 10 cm, Polymer print Hahnemühle paperAS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paperZureta (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paper
SELECTION since 2015
REAGENZ Landstrasser Hauptstrasse I (2010/2013), Wood-block print with Polymer-Intaglio on Jap. paper (80 x 59,5 cm) & Object (Pharmacy Jar filled with shreds of Japanese paper, Indian ink, aluminium foil, aluminium subsalts, water)Iconographics Multiplication|Variation|Combination (2014), 60 x 45 cm, wood-block prints, Indian ink on Japanese paper
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(Photos: Rüdiger Ettl)
-Rekonstrukt (Woodcut)- (2003), 54 x 38 cm, Polymer Intaglio, oil based color on Japanese paper-Rekonstrukt (Woodcut)- (2003), 54 x 38 cm, Polymer Intaglio, oil based color on Japanese paperr.u.t. iro #2 (2003), 40 x 25 cm, wood-block print, pigments on Japanese paperrekonstrukt lithographie I, II, III (2003), each 55 x 42 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paperr.u.t. iro (2003), each 40 x 25 cm, wood-block prints, pigments on Japanese paperrekonstrukt bogenschatten I, II, III (2003), each 55 x 42 cm, wood-block prints, Indian ink on Japanese paperrekonstrukt c.a.t. #2 yellow (2003), 10 x 10 cm, Polymer Intaglio, oil based color on Japanese paperIkonographik 02 (2014), 60 x 45 cm, wood-block print, Indian ink on Japanese paperIkonographik 01 (2014), 60 x 45 cm, wood-block print, Indian ink on Japanese paperClosing the Circle (2014), 61 x 45 cm, wood-block print, pigment on Japanese paperKurofuda (2013), 48 playing cards each ca. 6,5 x 4,6 cm, silkscreen on brown cardboard, in cardboard box covered with wood-block printstap codes Karrnerwaldele (2013), 60 x 45 cm, wood-block print, pigments on Japanese papertesting tap codes (2012), 75 x 45 cm, wood-block print, Indian ink on Japanese paperMASS IS THE MATTER OF CON CERN (2012), 48 x 33 cm, wood-block print with plate lithography, Indian ink and oil based color on Japanese papertapcodes Essl (2011), 90 x 38 cm, wood-block print, Indian ink on Japanese papertransfer (since 2010), a design for the subway line 3 at Johnstrasse station (intermediate story) in Vienna/Austria, 43 enaml panels (total length ca. 36 m, height 1,50 m)WYSIWYG (2007), 14,4 x 19,3 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on silver board, graphite chunkWYSIWYG (2007), 14,4 x 19,3 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on silver board, graphite chunkWYSIWYG (2007), 20 x 31 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on Japanese paper, graphite chunkWYSIWYG (2007), 20 x 31 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on Japanese paper, graphite chunktap codes Zwettl (2006), 34 x 43,5 cm, wood-block print, Indian ink on Japanese paperrekonstrukt graphit (2006), 33 x 48 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese papertap codes Klagenfurt (2006), 44 x 30 cm, wood-block print, Indian ink on Japanese papertap codes Innsbruck (2006), 32 x 53 cm, wood-block print, Indian ink on Japanese papertap codes Hall II (2005), 49 x 39 cm, wood-block print, Indian ink on Japanese papertap codes Hall I (2005), 49 x 39 cm, wood-block print, Indian ink on Japanese paperrekonstrukt graphit I, II, III (2004), each 84 x 52 cm, wood-block prints with Polymer Intaglio, oil based color & graphite on Japanese paperrekonstrukt graphit I (2004), 58 x 184 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese paper
SELECTION 2011 - 2014
SELECTION 2005 - 2007
TRANSFER 2008 - 2010
SELECTION 2003 - 2004
r.u.t. iro (2003), each 40 x 25 cm, wood-block prints, pigments on Japanese paperrekonstrukt graphit II (2004), 58 x 184 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese paperrekonstrukt lithographie I, II, III (2004), each 84 x 51 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paperrekonstrukt marui #2 (2002), 58 x 85 cm, wood-block print, pigment on Japanese paperdigital enhanced reconstructions (2002), each 85 x 27 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paperdigital enhanced reconstructions (2002), each 85 x 27 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paperrekonstrukt marui #1 (2002), 58 x 85 cm, wood-block print, pigment on Japanese paperr.u.t. (2001), each 55 x 42 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paper
SELECTION 2001 - 2002
reconstructions of slabs undeciphered (2000), each 42 x 57,5 cm, wood-block prints, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), each 85 x 58 cm, wood-block prints, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), each 69,5 x 22 cm, wood-block prints, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paperreconstructions of slabs undeciphered (1999/2000), each 85 x 58 cm, wood-block prints, Indian ink on Japanese paperreconstructions of slabs undeciphered (1999), each 85 x 58 cm, wood-block prints, Indian ink on Japanese paperreconstructions of slabs undeciphered (2000), 40 x 25 cm, wood-blok print, Indian ink on Japanese paper
SELECTION 1999 - 2000
Ding O.T. | Thing Without Title (1994), 88 x 45 cm, wood-block print, Indian ink on Japanese paperslab undeciphered (1998), 40 x 25 cm, wood-block print, Indian ink on Japanese paperslab undeciphered (1998), 40 x 25 cm, wood-block print, Indian ink on Japanese paperslab undeciphered (1998), 40 x 25 cm, wood-block print, Indian ink on Japanese paperslab undeciphered (1998), 40 x 25 cm, wood-block print, Indian ink on Japanese paperslab undeciphered (1998), 40 x 25 cm, wood-block print, Indian ink on Japanese paperslab undeciphered (1998), 40 x 25 cm, wood-block print, Indian ink on Japanese paperslab undeciphered (1998), 40 x 25 cm, wood-block print, Indian ink on Japanese paperslab undeciphered I, II, III (1996/97), 100 x 210 cm, wood-block prints, Indian ink on Japanese paperslab undeciphered (1995), 96 x 68 cm, wood-block print, Indian ink on Japanese paperslab undeciphered I, II, III, IV (1995), 126 x 163 cm, wood-block prints, Indian ink on Japanese paperDing O.T. | Thing Without Title (1994), 120 x 40 cm, wood-block print, oil based ink on Japanese paperDing O.T. | Thing Without Title (1994), 26 x 45 cm, wood-block print, oil based ink on Japanese paperDing O.T. | Thing Without Title (1994), 45 x 26 cm, wood-block print, oil based ink on Japanese paperDing O.T. | Thing Without Title (1994), 45 x 26 cm, wood-block print, oil based ink on Japanese paperDing O.T. | Thing Without Title (1993), 33,5 x 26 cm, wood-block print, oil based ink on Japanese paperDing O.T. | Thing Without Title (1993), 33,5 x 26 cm, wood-block print, oil based ink on Japanese paper
SELECTION 1993 - 1998
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SELECTION UNTIL 1992
A series of six woodcuts: "In jener Andacht aber ist das Verhältnis zu einem Dinge wesentlich" (Georg Wilhelm Friedrich Hegel)Ding O.T. | Thing Without Title (1990), 106,5 x 64,5 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1990), 118,5 x 82 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1990), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 137 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 137 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 137 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1990), 132 x 64 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 156 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1991), 198 x 88 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1991), 198 x 88 cm, woodcut, printing ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 150 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1991), 142,5 x 64,5 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)Ding O.T. | Thing Without Title (1992), 108 x 64 cm, woodcut, oil based ink on Japanese paper (bunko-shi)
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r.u.t. (2001), each 55 x 42 cm, wood-block prints, Indian ink on Japanese paperdigital enhanced reconstructions (2002), each 42,5 x 28 cm, wood-block prints with Polymer-Intaglio, oil based color & Indian ink on Japanese paperrekonstrukt graphit (2005), 45 x 94 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese paper
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MICHAEL W. SCHNEIDER