Michael W Schneider | Printmedia

Sharara - Minerva was a Witch (2019), je 93 x 20,7 cm, wood block print & silk screen on Japanese paper

virturality (2017), 110 x 110 cm, Digital print on Japanese paper

Play the ball where the monkey drops it (2017), 29,7 x 42 cm, Digital print on Awagami washi

Play the ball where the monkey drops it (2017), 29,7 x 42 cm, Digital print Awagami washi

i is u (2017), ca. 15 x 15 cm, Polymert print on Hahnemühle paper

AS full color (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paper

AS full color (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paper

AS blue (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paper

AS blue (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paper

AS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paper

AS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paper

AS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paper

AS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paper

Zureta full color (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paper

AS blue (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paper

AS blue (2017), ca. 7 x 10 cm, Polymer print on Hahnemühle paper

AS full color (2017), ca. 10 x 10 cm, Polymer print Hahnemühle paper

AS full color (2017), ca. 10 x 10 cm, Polymer print on Hahnemühle paper

Zureta (2017), ca. 15 x 15 cm, Polymer print on Hahnemühle paper

SELECTION since 2015

REAGENZ Landstrasser Hauptstrasse I (2010/2013), Wood-block print with Polymer-Intaglio on Jap. paper (80 x 59,5 cm) & Object (Pharmacy Jar filled with shreds of Japanese paper, Indian ink, aluminium foil, aluminium subsalts, water)

Iconographics Multiplication|Variation|Combination (2014), 60 x 45 cm, wood-block prints, Indian ink on Japanese paper

WORKS

ART IN PUBLIC SPACE

(Photos: Rüdiger Ettl)

rekonstrukt lithographie I, II, III (2003), each 55 x 42 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paper

r.u.t. iro (2003), each 40 x 25 cm, wood-block prints, pigments on Japanese paper

rekonstrukt bogenschatten I, II, III (2003), each 55 x 42 cm, wood-block prints, Indian ink on Japanese paper

rekonstrukt c.a.t. #2 yellow (2003), 10 x 10 cm, Polymer Intaglio, oil based color on Japanese paper

Ikonographik 02 (2014), 60 x 45 cm, wood-block print, Indian ink on Japanese paper

Ikonographik 01 (2014), 60 x 45 cm, wood-block print, Indian ink on Japanese paper

Closing the Circle (2014), 61 x 45 cm, wood-block print, pigment on Japanese paper

Kurofuda (2013), 48 playing cards each ca. 6,5 x 4,6 cm, silkscreen on brown cardboard, in cardboard box covered with wood-block prints

tap codes Karrnerwaldele (2013), 60 x 45 cm, wood-block print, pigments on Japanese paper

testing tap codes (2012), 75 x 45 cm, wood-block print, Indian ink on Japanese paper

MASS IS THE MATTER OF CON CERN (2012), 48 x 33 cm, wood-block print with plate lithography, Indian ink and oil based color on Japanese paper

transfer (since 2010), a design for the subway line 3 at Johnstrasse station (intermediate story) in Vienna/Austria, 43 enaml panels (total length ca. 36 m, height 1,50 m)

WYSIWYG (2007), 14,4 x 19,3 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on silver board, graphite chunk

WYSIWYG (2007), 14,4 x 19,3 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on silver board, graphite chunk

WYSIWYG (2007), 20 x 31 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on Japanese paper, graphite chunk

WYSIWYG (2007), 20 x 31 x 8 cm, object with wood-block print & Polymer-Intaglio, graphite & oil based color on Japanese paper, graphite chunk

tap codes Zwettl (2006), 34 x 43,5 cm, wood-block print, Indian ink on Japanese paper

rekonstrukt graphit (2006), 33 x 48 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese paper

tap codes Innsbruck (2006), 32 x 53 cm, wood-block print, Indian ink on Japanese paper

tap codes Hall II (2005), 49 x 39 cm, wood-block print, Indian ink on Japanese paper

tap codes Hall I (2005), 49 x 39 cm, wood-block print, Indian ink on Japanese paper

rekonstrukt graphit I, II, III (2004), each 84 x 52 cm, wood-block prints with Polymer Intaglio, oil based color & graphite on Japanese paper

rekonstrukt graphit I (2004), 58 x 184 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese paper

SELECTION 2011 - 2014

SELECTION 2005 - 2007

TRANSFER 2008 - 2010

SELECTION 2003 - 2004

r.u.t. iro (2003), each 40 x 25 cm, wood-block prints, pigments on Japanese paper

rekonstrukt graphit II (2004), 58 x 184 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese paper

rekonstrukt lithographie I, II, III (2004), each 84 x 51 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paper

rekonstrukt marui #2 (2002), 58 x 85 cm, wood-block print, pigment on Japanese paper

digital enhanced reconstructions (2002), each 85 x 27 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paper

digital enhanced reconstructions (2002), each 85 x 27 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paper

rekonstrukt marui #1 (2002), 58 x 85 cm, wood-block print, pigment on Japanese paper

r.u.t. (2001), each 55 x 42 cm, wood-block prints with Polymer Intaglio, oil based color & Indian ink on Japanese paper

SELECTION 2001 - 2002

reconstructions of slabs undeciphered (2000), each 85 x 58 cm, wood-block prints, Indian ink on Japanese paper

reconstructions of slabs undeciphered (2000), each 69,5 x 22 cm, wood-block prints, Indian ink on Japanese paper

reconstructions of slabs undeciphered (1999/2000), each 85 x 58 cm, wood-block prints, Indian ink on Japanese paper

reconstructions of slabs undeciphered (1999), each 85 x 58 cm, wood-block prints, Indian ink on Japanese paper

SELECTION 1999 - 2000

slab undeciphered I, II, III (1996/97), 100 x 210 cm, wood-block prints, Indian ink on Japanese paper

slab undeciphered I, II, III, IV (1995), 126 x 163 cm, wood-block prints, Indian ink on Japanese paper

Ding O.T. | Thing Without Title (1994), 26 x 45 cm, wood-block print, oil based ink on Japanese paper

Ding O.T. | Thing Without Title (1993), 33,5 x 26 cm, wood-block print, oil based ink on Japanese paper

Ding O.T. | Thing Without Title (1993), 33,5 x 26 cm, wood-block print, oil based ink on Japanese paper

SELECTION 1993 - 1998

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SELECTION UNTIL 1992

A series of six woodcuts: "In jener Andacht aber ist das Verhältnis zu einem Dinge wesentlich" (Georg Wilhelm Friedrich Hegel)

Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)

Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)

Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)

Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)

Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)

Ding O.T. | Thing Without Title (1992), 88 x 65 cm, woodcut, oil based ink on Japanese paper (bunko-shi)

GALLERY

r.u.t. (2001), each 55 x 42 cm, wood-block prints, Indian ink on Japanese paper

digital enhanced reconstructions (2002), each 42,5 x 28 cm, wood-block prints with Polymer-Intaglio, oil based color & Indian ink on Japanese paper

rekonstrukt graphit (2005), 45 x 94 cm, wood-block print with Polymer Intaglio, oil based color & graphite on Japanese paper

MICHAEL W. SCHNEIDER